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Franz Kafka worked at an insurance company and wrote in his spare time. He asked that all his personal papers, including literary manuscripts be burned when he died. After Kafka’s death, his friend and literary executor Max Brod ignored Kafka’s wishes and published many of his manuscripts. "The Trial," a novel about law, justice and the arrest and prosecution of a man for an unknown crime, was one of these manuscripts. Other people face similar decisions around respecting the wishes of an artist or writer by destroying their work. Listen to a conversation with an ethicist as he discusses the implications of this debate through a modern day example.
Story Length: 4:32
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Roald Dahl’s life was plagued by tragedy, and yet he wrote some of the most famous children’s books of our time, including Charlie and the Chocolate Factory and James and the Giant Peach. This public radio story takes you into Dahl’s life and explores what motivated his writing. Listen to learn more about his relationship with his wife and children, his special writing hut, and the legacy he left behind.
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Two famous authors, C.S. Lewis and J.R..R Tolkien, had a deep friendship. C.S. Lewis helped J.R.R. Tolkien get published, but Tolkien admitted he didn’t even like Lewis’ work, especially The Lion, The Witch and The Wardrobe, which he thought was terrible. Both were Christians and heavily influenced by Christian ideology. Tolkien says Lord of the Rings was a deeply Catholic book, while Lewis was more influenced by writers of the Renaissance who were fascinated by Pagan mythology. Listen as this radio story explores the two authors' friendship and motivations.
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Jane Austen wrote a new type of female character. Emma Woodhouse of "Emma" and Elizabeth Bennet in "Pride and Prejudice" are two memorable characters. They were charming but normal, flawed but winning. The legend of Austen is that she wrote her novels exactly as they were published, but the release of her original manuscripts suggests she had an active editor. Does it matter that an editor helped clean up Austen’s prose or is it her genius that shines through?
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